Sekoia Shifters: The Redwoods Remember
Thriller & Adventure • Shifter World • Found Family.
EARNED A BOOKY AWARD FOR MOST BELIEVABLE FUTURE
Sekoia Shifters: The Redwoods Remember
The redwoods have kept their secrets for generations.
When Deputy Cree Wilson finds a Council notice pinned to the station corkboard, it should be simple: locate Elara Falkenberg, an eighteen-year-old dragon shifter labeled as an impulsive runaway, and report her whereabouts.
But the notice feels wrong.
The wording is too careful. The urgency is too controlled. And when Cree’s son, Solomon, reacts to Elara’s name, Cree realizes the Council may not be searching for a missing girl. They may be hunting one.
Deep within the ancient redwoods, Elara is hiding from a forced political marriage, a powerful clan, and a Council determined to reclaim what it believes belongs to them. But the forest remembers what others tried to erase, and its magic may be the only thing standing between Elara and the life chosen for her.
As old records surface and hidden loyalties are tested, Cree must decide where her duty truly lies: with the Council she serves, or with the girl the redwoods have chosen to protect.
Book 2 of the Sekoia Shifters series.
Roots, Refusal, and Resilience: A Standout Urban Fantasy With Unforgettable Character Depth
Karen L. West’s Sekoia Shifters: The Redwoods Remember is one of the most emotionally resonant urban fantasy novels I have read in years. As an avid reader, I appreciate stories that build tension through character, atmosphere, and moral stakes rather than spectacle, and West delivers this with remarkable precision.
— Gigglez
The Redwoods Remember would be about dragon shifters and politics. It is. But it’s also about what happens when the land itself refuses to be silent. It opens like a case file. Council notice. Missing girl. Deputy Cree Wilson’s job: find Elara Falkenberg, call it a runaway, hand her over. But the paper is too clean. The language is too careful. And the moment Cree’s son hears Elara’s name, the case stops being about paperwork. It becomes about protection. That pivot is everything. Because Cree isn’t chasing headlines. She’s a mother first. And she knows exactly what it looks like when powerful people decide they get to own someone’s future. Elara is hiding in the redwoods, running from a forced political marriage and a clan that calls control “tradition.”
— Abbey
Exciting and Interesting!
This is a great book! It’s full of magic and shape shifting so if you like those kind of books then you will love this one. The book explores the life of Cree and Elara and goes into depth about how they know each other and why they care so deeply about one another. People in the Red woods are searching for Elara who is a dragon shifter and missing. Cree knows Elara well and is very hesitant that Elara really is missing but rather believes she is in danger. As such, Cree goes out to search for her before the bad guys find her. My favorite line in this book is “Cree did not ask. She crossed the office, boots soundless on the old pine boards. The closer she got, the more her wolf pressed forward, not trying to shift, only pushing scent and instinct through her human senses. “ I liked this passage of the book because it gives you a great description of the main character. It writes with intensity and thriller components almost making you hold your breath for this character.
— Payton
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Sekoia Shifters
The Redwoods Remember
Reviews:
Payton: Exciting and Interesting!
This is a great book! It’s full of magic and shape shifting so if you like those kind of books then you will love this one. The book explores the life of Cree and Elara and goes into depth about how they know each other and why they care so deeply about one another. People in the Red woods are searching for Elara who is a dragon shifter and missing. Cree knows Elara well and is very hesitant that Elara really is missing but rather believes she is in danger. As such, Cree goes out to search for her before the bad guys find her. My favorite line in this book is “Cree did not ask. She crossed the office, boots soundless on the old pine boards. The closer she got, the more her wolf pressed forward, not trying to shift, only pushing scent and instinct through her human senses. “ I liked this passage of the book because it gives you a great description of the main character. It writes with intensity and thriller components almost making you hold your breath for this character. It’s so well written it’s like watching a movie before your eyes. the only thing about this book is that it is a long read about 500 pages. But every page is full of action, descriptive writing and emotional moments that keep you wanting to read every page.
Abbey: The Redwoods Remember would be about dragon shifters and politics. It is. But it’s also about what happens when the land itself refuses to be silent. It opens like a case file. Council notice. Missing girl. Deputy Cree Wilson’s job: find Elara Falkenberg, call it a runaway, hand her over. But the paper is too clean. The language is too careful. And the moment Cree’s son hears Elara’s name, the case stops being about paperwork. It becomes about protection. That pivot is everything. Because Cree isn’t chasing headlines. She’s a mother first. And she knows exactly what it looks like when powerful people decide they get to own someone’s future. Elara is hiding in the redwoods, running from a forced political marriage and a clan that calls control “tradition.” She should be alone. She isn’t. The forest moves around her. Old files resurface. Names the Council buried start showing up again. The redwoods have been keeping receipts for generations, and now they’re done staying quiet. The tension here works on three levels. There’s the Council pushing Sekoia to comply. There’s Cree caught between the badge and her conscience. And there’s Elara, just trying to choose her own life while everyone else argues over who owns it. No one gets to be a cartoon villain. Even the Council thinks it’s saving order. That’s what makes it so uncomfortable and so real. What made me stay up reading was the way the book treats memory as a weapon. Secrets don’t get buried in Sekoia. They sink, they root, and then the trees push them back up. Every time the Council tried to erase someone, the forest wrote it down somewhere else. By the last third, I wasn’t just reading about a manhunt. I was watching history fight back. The pacing pulls you in slow, then doesn’t let go. It starts like a procedural and ends like a myth. And that final line “the redwoods remember” lands because the whole book earned it. If you want shifters with teeth, politics with consequences, and a setting that feels alive, read this. It’s not just about fire and wings. It’s about duty, about who writes the story, and about choosing people over power. The redwoods don’t just set the scene. They testify.